As perhaps the world’s most preeminent writer of horror fiction, Stephen King’s works are adapted almost compulsively. With 60-odd novels and hundreds of short stories to his credit, there’s no shortage of material to pull from. It doesn’t hurt that his books hinge on ideas and rich characterization, aspects that make his yarns eminently adaptable; they also hinge a lot on expository dialogue and reams of internal monologue, things that don’t translate as easily to film. Three weeks into CBS’s […]