Album Reviews

Spin Cycle: Mogwai’s “Earth Division” EP

Mogwai is a giant name in the post-rock genre, and rightfully so. They’ve been putting out great music since ’97 and show no signs of stopping any time soon. Earth Division displays a quieter side to Mogwai, leaving the pounding drums and fuzz-soaked guitars (though not entirely) out, making for a much different listening experience. Though the sound isn’t necessarily what one would expect from a Mogwai album the general feeling is still there, as Earth Division still manages to […]

Metal Monday Volume 35 (9.12.11)

Let me start off with this, I got into Anthrax during John Bush’s tenure. I know Persistence of Time, State of Euphoria, Among The Living, etc. well but I’ve always liked Bush better. That said, I was very cautious coming into Worship Music because this is not MY Anthrax anymore. That said and with a biased opinion already laid out, I can say that this is one un-fucking-believable Anthrax album. Worship Music is such a metal as fuck album that […]

Spin Cycle: Apathy’s “Honkey Kong”

I’m an old school/classic era hip hop junkie, straight up. Since Christmas day, 9 years old when I got my JVC boombox with Run DMC & the Fat Boys self-titled debut tapes to go with it, I was hooked for life. The next ten plus years were great to me, but somewhere along the line the game changed, and not for the better. With few exceptions, since the great era of the mid 90’s I’ve been pretty apathetic towards the […]

Nick’s Mini Metal Reviews 2: Today Is The Day & White Arms of Athena

Today Is The Day “Pain Is A Warning” I first got into Today Is The Day in 2000 when a band I was working with at the time recommended I check out TITD’s 1997 album “Temple Of The Morning Star”. At the time, I was just starting to dip my toes into the realms of “extreme” metal and wasn’t sure what to expect when I popped the CD in the player for the first time. TITD’s sound is easy and […]

Spin Cycle: Hugh Laurie’s “Let Them Talk”

Hey, who wants to read a formulaic paragraph about how actors who turn to music typically churn out vanity projects that nobody ends up liking, citing Bruce Willis and Keanu Reeves as particularly egregious examples? …Good, because I’m not interested in writing it. In other news, House M.D. made a blues record. As it turns out, Hugh Laurie – star of television’s hugely-popular House, among other things – is both an accomplished musician and a tremendous fan of the blues. His […]

Spin Cycle: “Nothing But The Beat” by David Guetta

Fuck those Now compilations, David Guetta is where it’s at when it comes to popular artists banding together on one album. Let’s see the line-up on Nothing But The Beat, his 5th: Snoop Dogg, Akon, Jessie J, Flo Rida, Nicki Minaj, Will.I.Am, Lil Wayne, Usher….and that’s just off the top of my head. Speaking of the man, I am a sucker for Flo Rida. I don’t know what it is but I love everything he does. Pleas don’t ask me […]

Spin Cycle: Brett Detar’s “Bird in the Tangle”

The amazing thing about people (and musicians are, despite the rumors, also people) is that we are rarely static entities. Time and age have a funny way of sculpting our tastes and experiences, to the point that we may not even recognize ourselves in a decade or so. Brett Detar’s debut solo album Bird in the Tangle is a sonic testament to this truth. After turns as a guitarist in metalcore pioneers Zao and as lead vocalist for the indie/alternative […]

Metal Monday Volume 34 (9.5.11)

Every song on MonstrO’s debut is a deeply layered opus. From the opening wail of “Fantasma” through the gentle chord fade out of 8-minute closer “April”, MonstrO deliver a solid album comprised of seasoned veterans who’ve been through the motions before and have the musical chemistry to guarantee staying power. Look at the line-up: There’s ex-Torche axemaster Juan Montoya, ex-Bloodsimple members Kyle Sanders on bass and Bevan Davies on drums along with vocalist/guitarist Charlie Suarez. Then you have their first album (available […]

Spin Cycle: Puddle of Mudd’s “Re:(disc)overed” // Powerman 5000’s “Copies, Clones & Replicants”

Almost universally maligned as a once-relevant band’s career-twilight last-ditch stab at relevancy, the all-covers album more often than not allows a bereft-of-inspiration artist to court a last gasp of sweet, sweet mainstream success by promising songs the listener already knows and loves, and not those pesky tepid originals that said artist has been peddling for the past twenty years or so to increasingly-diminishing returns. And all under the guise of “paying tribute to our idols, man”. Seems like, to court […]

Spin Cycle: “Black & White America” by Lenny Kravitz

Since his debut in 1989, Lenny Kravitz has been pretty consistently pelted with scorn. Initially, it was because most people (the few who knew who he was, anyway) knew him as the hippie-dippy husband of The Cosby Show’s Lisa Bonet. Even as Lenny built up successes as his own entity (and divorced Bonet), the criticisms continued. Whether it was his deliberately retro sound, his lack of originality, or his occasionally banal lyrics, Lenny couldn’t (and still can’t) seem to catch […]

Spin Cycle: Stephin Merritt’s “Obscurities”

As a songwriter, Stephin Merritt’s legendarily busy muse is certainly not newsworthy – we are, after all, talking about a man who’s Magnetic Fields once released an album entitled 69 Love Songs, a sprawling, three-disc behemoth that offered up exactly what its title promised. Merritt’s also the man behind The 6ths, The Gothic Archies, Buffalo Rome, and Future Bible Heroes, and responsible for several operettas bearing his own name. He’s been involved in more projects than Dave Grohl; in terms […]

Spin Cycle: Beirut’s “The Rip Tide”

Zach Condon’s been a tough nut to crack since way back in the yesteryear of 2006. He earned a lot of fans back in that bygone era, sure, attracting listeners to the old-world flourishes and kitchen-sink aesthetics of early Beirut albums Gulag Orkestar and The Flying Club Cup; he also was targeted by a (much quieter, granted) contingent of detractors accusing him of stuffing his merely-okay songs with so much offbeat instrumentation that the non-discerning listener simply falls prey to all […]