Forget marching to the beat of your own drummer; Van Hunt’s got his own band, and he’s leading his feisty, wildly imaginative brand of r&b into the pop music stratosphere all by himself. To rewind, there was totally a time that the singer/songwriter had an illustrious little major-label career brewing. His first record, Van Hunt, didn’t set the world on fire, but was reasonably well-received; his second, On the Jungle Floor , is rightfully acknowledged as a classic by anyone who’s heard it. There’s […]
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Spin Cycle: Demi Lovato’s “Unbroken” // SuperHeavy’s “SuperHeavy”
A few months ago, Trustafarian favorites Sublime re-formed, replacing deceased frontman Bradley Nowell with Youtube sensation Rome Ramirez. The resulting album, Yours Truly , set precisely no one on fire, and in fact stands as one of the most egregious sins white people have committed against reggae in quite some time. SuperHeavy isn’t quite a reggae group, but it does count Damien “Jr. Gong” Marley as one of its own. Other members include Mick Jagger, Joss Stone, Dave Stewart, and Slumdog Millionaire composer […]
Spin Cycle: Tori Amos’ “Night of Hunters”
Tori Amos’ latest album is high-concept, a little obtuse, and often very, very pretty. At this point, you’d do well to note the date, as that sentence could have been written about every Tori Amos album that’s ever been made. It’s interesting, though, to follow the trajectory of Tori’s career. Early records like Little Earthquakes and Under the Pink are justly heralded as classics – even as, looking back on them, they’re hardly emblematic of the artist Tori would turn into. They’re […]
Spin Cycle: Pearl Jam’s “Pearl Jam Twenty”
Comprehensive and wildly varied, it is nevertheless important to note that the Cameron Crowe-helmed soundtrack to his Pearl Jam documentary is not a catch-all for the casual fan, or even a career-spanning bid to win new converts. Indeed, Cameron Crowe has been an avowed Pearl Jam fan since jump street, and his soundtrack (and, presumably, his film) reflects this – the two-disc Pearl Jam Twenty has far less in common with their proper hits compilation Rearviewmirror than with their stellar b-sides record […]
Spin Cycle: Girls’ “Father, Son, Holy Ghost”
If a cursory glance of Pitchfork’s “one-record-you’ve-heard-of-a-week” album review archive makes you shake your head, convinced that you just don’t get indie music anymore, you’re within your rights; if only something could come along, make you feel, transport you back to a bygone era. Something like that. Enter Girls. Their 2009 debut album Album seemed to often be a case of “I know I like this because several tastemaking critics have told me so” – far from bad, but often sort of […]
The Blerd Interview: Bleu
When interacting with power-pop artist/in-demand songwriter/mutton-chop maestro William “Bleu” McAuley, one thing comes into crisp, refreshing focus: Bleu is one nice dude. You see, a few weeks ago, Bleu was nice enough to set some time aside to talk to us; when a technological failure resulted in an entire, story-packed interview getting lost in space, I was awfully glum. As an avowed and longtime fan, it was disheartening to lose so much interesting material, and to waste a favorite artist’s […]
Spin Cycle: Hugh Laurie’s “Let Them Talk”
Hey, who wants to read a formulaic paragraph about how actors who turn to music typically churn out vanity projects that nobody ends up liking, citing Bruce Willis and Keanu Reeves as particularly egregious examples? …Good, because I’m not interested in writing it. In other news, House M.D. made a blues record. As it turns out, Hugh Laurie – star of television’s hugely-popular House, among other things – is both an accomplished musician and a tremendous fan of the blues. His […]
Spin Cycle: Puddle of Mudd’s “Re:(disc)overed” // Powerman 5000’s “Copies, Clones & Replicants”
Almost universally maligned as a once-relevant band’s career-twilight last-ditch stab at relevancy, the all-covers album more often than not allows a bereft-of-inspiration artist to court a last gasp of sweet, sweet mainstream success by promising songs the listener already knows and loves, and not those pesky tepid originals that said artist has been peddling for the past twenty years or so to increasingly-diminishing returns. And all under the guise of “paying tribute to our idols, man”. Seems like, to court […]
Spin Cycle: Stephin Merritt’s “Obscurities”
As a songwriter, Stephin Merritt’s legendarily busy muse is certainly not newsworthy – we are, after all, talking about a man who’s Magnetic Fields once released an album entitled 69 Love Songs, a sprawling, three-disc behemoth that offered up exactly what its title promised. Merritt’s also the man behind The 6ths, The Gothic Archies, Buffalo Rome, and Future Bible Heroes, and responsible for several operettas bearing his own name. He’s been involved in more projects than Dave Grohl; in terms […]
Spin Cycle: Beirut’s “The Rip Tide”
Zach Condon’s been a tough nut to crack since way back in the yesteryear of 2006. He earned a lot of fans back in that bygone era, sure, attracting listeners to the old-world flourishes and kitchen-sink aesthetics of early Beirut albums Gulag Orkestar and The Flying Club Cup; he also was targeted by a (much quieter, granted) contingent of detractors accusing him of stuffing his merely-okay songs with so much offbeat instrumentation that the non-discerning listener simply falls prey to all […]
Spin Cycle: Red Hot Chili Peppers’ “I’m With You”
Dear Red Hot Chili Peppers, Greetings from a fan! Before I start, let me thank you for the richly-textured, impossibly alive soundtrack you provided for my adolescence through my young adulthood. I haven’t been with you quite since the beginning – you, as a band, have existed longer than me, as a person – but I’ve been eagerly buying your records since I can remember. I love them – cherish them, even. You’ve soundtracked parties for me, long drives through […]
Spin Cycle: Lil’ Wayne’s “Tha Carter IV”
Rapper Lil’ Wayne once said, via an album title, I Am Not A Human Being. Listening to his new album, Tha Carter IV, it’s not difficult to see where Wayne was coming from – it’s not difficult to envision the rapper being dropped from a UFO into someone’s Hollywood backyard on a quiet, chilly night. The objective? To ruin hip-hop by turning it into an exaggerated version of its worst stereotypes, to behave in a deliberately bizarre fashion to court […]