Following the downturn in hits that greeted Hall & Oates at the tail end of the Eighties and early Nineties, the fairer half of the duo decided to explore solo opportunities. For his third effort, 1993’s Soul Alone, Daryl drafted a writing and production team spearheaded by the Brooklyn alt-funk trio The Family Stand, who’d most recently helmed Paula Abdul’s multi-million selling Spellbound LP. Marching into the waters of contemporary R&B was nothing new for Daryl, although the sounds of […]