One of the great films of our generation makes its Blu-Ray debut, and we’ve got a review!
The 31 Days of Halloween, Day 10: When a Stranger Calls // Amusement
It often seems as though each modern horror movie can at least muster up one virtuoso sequence, something better than the sum of its parts. Alexandre Aja’s Mirrors is often staid and unremarkable, but there’s a moment in there where Amy Smart’s character performs an act of self-mutilation stunning in its gory, go-for-broke visual flair; we can even go back to 2002’s three-alarm snoozer Ghost Ship, which opened with a stunningly gross prologue that belongs in the horror kills hall […]
The 31 Days of Halloween, Day 8: Behind the Mask: The Rise of Leslie Vernon
As with a full-fledged horror movie, a horror-based comedy doesn’t quite need to reinvent the wheel. It merely needs to appeal to horror nerds and comedy fans alike — a shockingly delicate balancing act to maintain. Look at perhaps the most famous examples of the genre: the Scary Movie franchise. To the creators of the Scary Movies, merely pointing out obvious horror benchmarks is high comedy. It doesn’t appeal to a majority of horror nerds, because it simply puts the […]
The 31 Days of Halloween, Days 6 & 7: Night of the Living Dead // Dawn of the Dead
First things first: I apologize deeply to the ten or so horror-starved souls out there who went unfulfilled yesterday. It won’t happen again, and today, we have a delightful Halloween twofer for you to make up for it. Zombies are fashionable. Werewolves and vampires have lost a bit of their cache since they became heart-throbs — and you all know who’s fault that is, kids — but in terms of monsters that are almost universally respected by horror fans, zombies […]
The 31 Days of Halloween, Day 2: The Night of the Hunter
For the second of Popblerd’s 31 Days of Halloween, we look at Charles Laughton’s “Night of the Hunter”, a Gothic, deep-south potboiler starring Robert Mitchum.
Pass The Popcorn: Base Humor & the Decline of the R-Rated Comedy
2011 was not a good year for comedy. Arguably the best comedy of the year, “ Bridesmaids ” was, at its best, an adequate The Hangover -esque comedy for women and, at its worst, an unnecessarily long and meandering plot with a funny diarrhea scene somewhere in the middle (fecal-spoiler). The R-Rated comedy has had a checkered past, but now that the Judd Apatow-Renaissance is upon us (“ The 40 Year Old Virgin ,” “ Knocked Up “), the theater audience has been treated with some good and often great […]