Tori Amos’ latest album is high-concept, a little obtuse, and often very, very pretty. At this point, you’d do well to note the date, as that sentence could have been written about every Tori Amos album that’s ever been made. It’s interesting, though, to follow the trajectory of Tori’s career. Early records like Little Earthquakes and Under the Pink are justly heralded as classics – even as, looking back on them, they’re hardly emblematic of the artist Tori would turn into. They’re […]