Kenna’s one of those artists that makes me wonder if the American music-buying public is completely dumb. If I ruled the world, this guy would have sold millions of copies of his first two albums, New Sacred Cow and Make Sure They See My Face. Of course, he also doesn’t fall into the music-buying public’s fairly narrow definition of what a black artist should sound like, a fate that has also recently prevented commercial breakthroughs by the likes of Kele/Bloc […]