The first half had me worried. A little too much ’60’s psychedelia and nostalgia for my tastes  perhaps? With the exception of stellar single “Days Are Forgotten”, the first half of Kasabian’s fourth album, Velociraptor!, falls short of the high expectations I set for this band. Velociraptor! doesn’t come alive for me until act two. From the moment the title track hits halfway through the disc, I’m sold. Tom Meighan spits lyrics in rapid fire succession until the wide open […]