I suppose that in a perfect world, producer/musician/all-around auteur Brian Burton—you know him as Danger Mouse, folks, or at least you should—would come to define the true sound of the past decade. In a sense, he kinda has: as one-half of Gnarls Barkley, his “Crazy” has become synonymous with the sort of insidious, viral, ubiquitous gross-genre smash that Outkast perfected a year prior with “Hey Ya!”, something so off-beat and yet so catchy that it couldn’t help but catch fire, […]