Spin Cycle

Spin Cycle: Electric Six’s “Heartbeats And Brainwaves”

Since 2005’s sophomore album Senor Smoke, Detroit’s Electric Six have delivered a new album every year for their adoring masses. Some have been great, some not so great. On Heartbeats And Brainwaves, the band’s eighth album, they’re leaning heavily in the former. From the get go, Heartbeats And Brainwaves showcases a very refreshed sounding Electric Six brandishing a reinvigorated swagger. H & B boasts a return to the electro a la previous floor bangers “Dance Commander” , “Down At McDonnelzz” […]

Spin Cycle: Skeletonwitch’s “Forever Abomination”

Back in 2007, I was first introduced to Skeletonwitch via their Prosthetic Records’ debut (and second album overall) “Beyond The Permafrost”. I liked the record upon first listen and found myself going back to it a respectable amount of times, but certainly not at a level that would qualify as addictive. That’s not a dig on that album at all, I simply only have so many hours in the day and an oversized and ever growing music collection that prevents me from […]

Spin Cycle: Meat Loaf’s “Hell in a Handbasket”

Are we at a place, culturally, where we can unanimously agree that Meat Loaf’s 1977 debut, Bat Out Of Hell, is unequivocally awesome? Sure, it’s theatrical. It’s bombastic. And, perhaps most damningly, it’s awfully cheesy; Meat oversings every ballad, Jim Steinman writes pretentious multi-song suites about his inability to get girls as a teenager, and at first listen, Meat and Steinman seem to be taking everything really, really seriously. But it’s cheese of the most glorious variety; its sincerity (tempered, […]

Spin Cycle: Bjork’s “Biophilia”

By way of a disclaimer, this review doesn’t come from the point of view of a Bjork fan. That’s important to note, as it seems that the Icelandic pixie’s records are uniquely suited for those familiar with her style, those attuned to her peccadilloes. Unlike most Bjork records, however, Biophilia has been anticipated more for its incorporation of multimedia and technology than for the direction of its music. Its song suites are, supposedly, enhanced by their interactions with corresponding iPad apps, […]

Spin Cycle: Erasure’s “Tomorrow’s World”

To dismiss Erasure as mere “synthpop pioneers” seems like it’d be erroneous; it’s true, the duo of Vince Clark and Andy Bell built a career from the ground up, dolling up their sound with more canned drumbeats and squelching keyboards than you could shake a Yaz at. But any pop connoisseur knows the real deal: peel away the layers, and what remained under that distinctly-80’s veneer were, simply, a series of excellent pop songs. Melodically, next to nothing can compete with […]

Spin Cycle: Relient K’s “Is For Karaoke”

Hard as it may be to throw together a good covers album – lest we forget the recent debacle of Puddle of Mudd’s unholy, mind-meltingly awful Re:(disc)overed  – it’s difficult to argue that, at least within the realm of rock music, bands that perform in the pop-punk style have the best shot at album-length success. It’s a hard balance to strike – you have to fight the right tonal balance between sincerity and irony, never veering too far in either direction, […]

Spin Cycle: Jack’s Mannequin’s “People and Things”

Fans hooked by the first Jack’s Mannequin record, 2005’s Everything In Transit, can collectively rejoice: after a shift from effervescent, sun-kissed piano-pop to artful, introspective songwriting on the group’s second album, The Glass Passenger, Jack’s are back with a new record and a new outlook. Of course, Jack’s Mannequin figurehead and Something Corporate ex-pat Andrew McMahon was well within his rights to craft a weighty, introspective album: The Glass Passenger chronicled his much-publicized battle with leukemia, which allows any singer-songwriter at […]

Spin Cycle: Stephanie Mills’ “Feel The Fire: The 20th Century Collection”

Generally, I leave the reissue-oriented stuff to my brother Mike Duquette and his site The Second Disc , but occasionally, there is a compilation or reissue that catches my eye enough to want to write something about it. I’ve got to say, Hip-O Select has been killing it with the reissues of late. Pulling from the archives of Universal Music, the company that distributes (or has distributed) MCA, Geffen, Def Jam, A&M and Motown (among other influential labels), they certainly have plenty of source material […]

Spin Cycle: Feist’s “Metals”

Reading through advance notices pertaining to Feist’s third album, Metals, a newcomer would be forgiven for believing the fiction concocted therein. Early reviews paint the story as follows: aggressively Canadian singer-songwriter releases debut record, turns heads, and promptly sells out big-time, releasing a big, glamorous, iPod-shilling second record full of pop hooks and lyrics about rainbows and butterflies. Which brings us to Metals, Feist’s much-vaunted return to form after her positively Gaga-esque The Reminder. Of course, that’s not the case. […]

Spin Cycle: The Knux’s “Eraser”

The merger of rap and rock is a notoriously dubious proposition: sure, sometimes you get surefire party-rockers like Run-DMC and Aerosmith’s legendary “Walk This Way” team up, Anthrax and Public Enemy’s raucous “Bring the Noise”, or the entire righteous-anger-fueled career of Rage Against the Machine. But more often than not you get Crazy Town. You get Quarashi. You get Limp Bizkit. You get Lil’ Wayne’s Rebirth album, the sound of leaping headfirst into a blender and turning it on. Enter The […]

Spin Cycle: Twin Sister’s “In Heaven”

Long Island’s Twin Sister is one of those bands that without the Internet, I may not have stumbled across.  I believe it was a post over at Gorilla vs. Bear that originally introduced me to music from the band’s then-forthcoming EP, Color Your Life.  I was immediately hooked by their ethereal, dreamlike pop, and happily rushed to purchase the EP (even though it had been available for free on bandcamp.com ).  Color Your Life quickly became one of my top picks for 2010, in […]

Spin Cycle: Phonte’s “Charity Starts At Home” // 9th Wonder’s “The Wonder Years”

In the reasonably notable absence of the classic line-up of North Carolina hip-hop trio Little Brother, we’ve been fortunate enough to hear from the individual parts; frontman Phonte made waves as one half of the critically-acclaimed Foreign Exchange, and producer 9th Wonder’s been nothing short of prolific behind the boards. And, of course, there’s Big Pooh, who’s been… well, Pooh’s been doing something, probably. There were even a couple of 9th-less Little Brother albums that totally don’t count because they’re […]