Ladies and gentlemen, welcome to the latest episode of Blerd Radio, co-starring Big Money, Michael Parr, Dr. Z and Mike Cunningham (AKA The Packetman)
This time around, we’re continuing our discussion about nostalgia that began with the previous podcast. Our focus this time shifts to the music industry’s time-honored tradition of repackaging, reissuing and creating deluxe anniversary editions, and how that all trades on nostalgia to generate sales.
Included as part of the discussion:
The team (minus Cunningham for the second straight episode) ponder the exact moment record companies realized “oh shit, we can keep mining our catalog for reissues!”
The tie in with greatest hits compilations is explored, as are themed compilations i.e. “love songs”, “dance jams”, etc. Big Money mentions the Sly & The Family Stone disco compilation as one of the first instances of this phenomenon. The rest of the panel expresses a morbid curiosity to check this record out.
-Spurred on by a discussion with our friend Steve Cunningham, the team talks about the recent spate of anniversary-related deluxe packages and whether they’re worthwhile or anyone even cares (we point to recent packages from Bryan Adams, Tears For Fears and The Spin Doctors as examples)
At what point does the reissue/remaster train stop, in light of digital mastering and the fact that the CD market has shrunk so much?
Which legendary artists still need to have their catalog sonically re-evaluated? Prince, Stevie Wonder and Janet Jackson are at the top of the list.
The panel wraps up by naming their favorite reissues: Dr. Z stumps for Bruce Springsteen’s “Darkness On The Edge Of Town” package, Big Money reps for Hip-O’s exhaustive Marvin Gaye reissue campaign, and Parr votes for Peter Gabriel’s “So”.
Part three’s coming soon! Stay tuned!!
Listen in the player below, or download the podcast directly from Liberated Syndication.
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1 comment
John says:
May 18, 2015
Yet another quality podcast. I think the one thing that might have been overlooked in the discussion is that some of the reissues you mentioned aren’t necessarily for the US. Case in point: Tears for Fears were big here, but Songs was MASSIVE in the UK, building off of the solid success of The Hurting. Record companies need to be more strategic these days with reissues and deluxe editions, and TFF is a good example of something that wouldn’t get reissued if it just relied on the US for revenue. And in the vein of Hits packages with new material, Madonna’s Immaculate Collection had new material when it was released in 1990 (“Justify My Love” and “Rescue Me”). Janet had “Runaway” on hers in the mid-90s. My personal favorite deluxe edition reissue series has been the Everything but the Girl reissues…those outtakes and demos are markedly different in many instances, and show a different side to the band compared to what was eventually released (Language of Life being my personal favorite).