If I was to name the most pivotal albums when it comes to my maturation as a music listener, Me’Shell Ndegeocello‘s 1993 debut, Plantation Lullabies, would easily be in my top ten. In the two decades since that album’s release, the singer/songwriter/multi-instrumentalist has consistently left me slack-jawed by her fearlessness and her restless musical identity. Much like her hero Prince, Me’Shell is somehow able to deftly take on any musical genre she feels fits her at any given time. Her sales have not been commensurate with her influence or the quality of her work, but she possesses one of, if not the, most consistent catalog of any artist that’s debuted since 1990, with Kanye and maybe Radiohead running directly behind her.
Less than 18 months after releasing her last album, a tribute to the similarly fearless Nina Simone, Me’Shell is returning with Comet Come To Me. Scheduled for release in June, Comet appears to largely be a solo affair, unlike the last album, which boasted guest performances from the likes of Toshi Reagan and Sinead O’ Connor.
One thing I’ve not seen much of over the course of Me’shell’s career is footage of her explaining her craft and talking about her influences. She’s quite engaging and funny (as anyone who’s seen her live can attest to.) In this clip, she talks a little about the new album, gives props to Prince, and pooh-poohs the notion of her sexuality being anyone’s business. It’s a refreshing and frank (if short) discussion, and leaves you wanting to a) know more about her and b) revisit her illustrious catalog.
2014 is shaping up to be a pretty awesome year musically. Can’t wait to hear what Me’Shell has in store for us…
4 comments
HeavySoulBrutha DaveB. says:
Feb 16, 2014
She’s so great, and a baller of a bass player. Peace and SOUL… HSB
MJ says:
Feb 16, 2014
Yeah man-straight up genius.
John says:
Feb 17, 2014
Love this. I’ll admit that I haven’t felt some of the more recent stuff 100%, but I respect her as an artist that’s not afraid to fully commit to the rabbit hole she’s following. The one-two punch of Plantation Lullabies and Peace Beyond Passion blew my mind and helped show me where music could evolve out of a more mainstream place. Also, the Ben Watt remix of Earth is one of my all-time favorite House mixes. Brilliant song made even more amazing over Watt’s soundscape. I hope she continues to have the ability to release whatever she feels like recording as long as she wants to do so.
MJ says:
Feb 17, 2014
Her more recent stuff has been a lot more of the singer/songwriter variety and less traditional funk, which I totally dig. She’s totally indie now, so if she ever was under the thumb of someone making decisions to place her in a more commercial context, she’s definitely not there now.