If you’re just joining us, we’re counting down the 100 best rap albums of all time! (said in Kanye voice.)
If you’d like to catch up, check out part one right here. Caught up? Good. Now, let’s keep moving.
90) LL Cool J Bigger And Deffer
(Def Jam, 1987)
LL Cool J’s sophomore follow-up to Radio is my second favorite LL album in his discography. Yes, I like this album more than Radio. I just think the album is more fun. LL’s more confident and cocksure. His rhymes are wittier and even more braggadocious. The double entendres on “Kanday” get me all the time. “I’m Bad” hits hard, his rhymes hit hard, but he also does it with a wink. This is LL at his silliest, yet his most entertaining as well. Who name drops 500 pound wrestler Haystacks Calhoun? Ladies Love does.
I love that he big ups his DJ on “Go Cut Creator Go.” And I haven’t even mentioned his biggest single yet. It’s maybe the most iconic hip hop love song ever and is the main reason why Drake has a career. LL raps in hushed tones and expresses how much he needs love, which wasn’t necessarily the thing to do in rap music at the time, but the timing was great and while the song may be a little corny, you can understand why it’s a hit. LL’s charm and charisma ooze throughout “I Need Love.”
This story is over, but my rhyme ain’t done!-GG
89) DAS EFX Dead Serious
(Eastwest/Atlantic, 1992)
How do popular cartoonish phrases get converted into captivating street slang? Das EFX was discovered by legendary group, EPMD, and became the second Rap duo members of the Hit Squad. Their 1992 debut album, Dead Serious, is a witty worded compilation of lyrics backed by funky samples and hardcore drums. The album opens with Skoob and Krazy Drayzy’s second single, “Mic Checka”, which immediately grabs the listener’s attention with the sparring of their signature ‘iggety’ catch phrases. However, their introductory song to the world, “They Want EFX” backed with a James Brown sample, became an instant smash hit on the Billboard charts. Though “Dead Serious” only contains ten tracks, it helped catapult the group who hails from Brooklyn, New York and Teaneck, New Jersey to platinum status. Das EFX went on to influence a number of other popular artists who adopted the coined ‘iggety’ phrases in their bodies of work.-June
88) Lauryn Hill The Miseducation of Lauryn Hill
(Ruffhouse/Columbia, 1998)
Writing about Lauryn Hill’s only solo album (I don’t count the MTV Unplugged album) intrigued me for two reasons.
For one, I was on the fence on whether it was truly a rap album or not. I think trying to categorize The Miseducation of Lauryn Hill as solely rap or solely R&B does it an injustice because it’s definitely both. And to me, it leans harder to the R&B side of things.
And the second is because it’s hard to listen to this album without thinking about what’s become of Lauryn. Hip hop rooted for Lauryn. We knew she had the talent to break out, no matter whether anyone liked Wyclef and Pras or not. But success seemed to break her.
Listening to Miseducation again brings me back to college. It brings me back to 21 years old. It brings me back to when Lauryn’s fresh sound ruled 1998. She was able to have a voice while showing off her voice. She was able to speak about being a young, unwed mother in a positive and inspiring way. She was able to communicate a love lost that seemed so painful that you ached for her. And in the end, you had this complete album of feeling, heartache, success and ultimately what would become the beginning of the end. I’m not sure if we’re better off as music fans with Lauryn’s only album being a near masterpiece (as opposed to her putting out more albums that weren’t as good), but in successive years, we lost Pac, Biggie, and ultimately Lauryn’s voice.-GG
87) Camp Lo Uptown Saturday Night
(Profile, 1997)
“The rappers of Camp Lo have a deft, graceful rhythmic touch and their producers (including Ski and Trugoy the Dove) are skilled musicians, capable of weaving funky sonic layers that never sound too spare or overloaded. In short, Uptown Saturday Night, even with its occasional dull patches, is a worthwhile debut.”- All Music Guide
86) Jeru The Damaja The Sun Rises in the East
(Payday, 1994)
Journey down to the depths of the darkest streets of mid 1990s New York City underground hip hop with The Sun Rises in the East. Your narrator for the trip is Jeru the Damaja, one of those now forgotten about emcees, who never really received the credit or shine he deserves, and your conductor is the great DJ Premier, one of the undisputed legends of rap production. They make a flawless team on The Sun Rises in the East. Premier’s production has genuinely never been better – tough, catchy boom bap drums imaginatively complimented with shrill strings and ice cold keys (a must listen is “Come Clean”) – and Jeru’s rhymes twinkle consistently with dictionary-smart cockiness and street-smart socio-political commentary. They genuinely do not make albums like The Sun Rises In The East any longer.-Paul
85) The D.O.C. No One Can Do It Better
(Ruthless, 1989)
No One Can Do It Better is an album of highs, featuring consistently great production from the legendary Dr. Dre, as well being a towering beatdown to any mark who claims the West Coast doesn’t have great lyricists. Sadly, it also marks the high water mark of The D.O.C.’s career. This tight 13 track set features D.O.C. spinning a seemingly never-ending web of dynamic, tongue-twisting rhymes. He dances around every single beat with a confident swagger and verbal dexterity genuinely on a par with the great emcees of the time such as Rakim and Big Daddy Kane. Tragedy soon struck, however, as months after the release of the platinum-selling No One Can Do It Better, D.O.C.’s vocal chords were severely damaged in a car crash. It left him a raspy voiced wreck of his past self, unable to ever again rhyme anywhere near the standard of “No One Can Do It Better”. Life is a bitch.-Paul
84) Big L Lifestylez Ov Da Poor & Dangerous
(Columbia, 1995)
“(Big L) was smarter than what he would lead you to believe on that album. But, it’s like, [for] Lifestylez Ov Da Poor & Dangerous, I’m portraying this character, and this character I’m portraying has to be believable. The stuff he has to do has to be so over-the-top. And that’s a lot of the characters he was portraying on that album. It was a mixture between what was going on in Harlem and fiction. Some of it was real, some of it was fiction. [So] when he wanted to go over-the-top with some shit he went over the top with it!”-Lord Finesse, as told to HipHopDX.com
I’m nervous even taking this one just knowing the type of admiration there is out there for Big L in hiphop circles. As far as raw rap goes, this is as good as it gets. You won’t find a skippable verse on this record because there simply isn’t one. L is one of the most intricate lyricists and vivid storytellers ever to grace the rap game. It’s his ability to take generic themes, put his own twist on them, and make it absolutely gripping that sets him apart from his peers. Lifestylez, with its mix of punchline raps and hardcore street stories, makes for essential listening.
If albums were sold purely on ability, this would have been a surefire smash. The truly tragic thing about it is that Lifestylez, as good as it is, it probably only scratched the surface of L’s capabilities as an emcee. It’s him being showcased by a record label who had no idea what to do with him. I think without those restrictions, he would have taken it to a different level. Material recorded for the posthumously released The Big Picture shows indication, not only of that, but also that his craft was still evolving. Over a decade later, he remains the most valuable poet on the M.I.C.-Duan
83) Cypress Hill Black Sunday
(Ruffhouse/Columbia, 1993)
The album reached No. 1 on the Billboard charts and featured the single, “Insane in the Brain,” which became a hit not just with me but with my rock-loving friends. B-Real’s voice combined with DJ Muggs’ beats is what makes the group so unique, and is why years later we still remember Cypress Hill as making a difference in the hip-hop world.-KJ
82) Ice-T O.G.: Original Gangster
(Sire, 1991)
“He won’t desert the hards because a hard he remains; his violence is pervasive and graphic because he knows brutalization from the inside. But he’s nothing if not a moralist, and so the new jack drunk dies in his Benz, the cops break down the gangbanger’s door, his gays are left to live their own lives, and his prematurely ejaculated sex jam is a dis on the horny fool who slavers for it.”-Robert Christgau, who gave the album an “A.”
81) Nas Hip-Hop Is Dead
(Def Jam, 2006)
It’s no secret that Nasir Jones knows how to court controversy. Signing on the dotted line to work with Def Jam Records for his old nemesis Jay-Z was one thing, declaring the art form that made him a superstar was something else entirely. While performing last rites on rap music was certainly premature, Nas did his part to breathe life into it anyway with his best album since Illmatic. Actually, I’d go out on a limb and say that HHID is Illmatic‘s qualitative equal…and might even be better! Considering the fact that HHID appears here and Illmatic appears…much, much later on this list, I don’t know that many people agree, but I digress.
Being the hip-hop version of Clint Eastwood screaming at kids to “get off my lawn!” actually fit Nas quite well, and a team of collaborators and producers ranging from will.i.am to basketball star Chris Webber (who produced the spooky “Blunt Ashes”) brought out the best in QB’s finest.-Big Money
27 comments
GG says:
Nov 13, 2012
I wonder who else thinks as highly of Hip Hop Is Dead. I really do love it. Better than Illmatic? Hmmm. That sounds like something we need to break down.
Kevin says:
Nov 13, 2012
First rap album I ever owned … Bigger and Deffer!
Kyle says:
Nov 13, 2012
I love “HHID” just as much as y’all do.
Also, better Ice-T album – “O.G.” or “Iceberg/Freedom of Speech…Just Watch What You Say” (one of my favorite hip-hop album titles ever). And as someone who holds The Roots’ “How I Got Over” very close to him, I was surprised but very happy to see it on the list.
Dennis says:
Nov 13, 2012
And the beats roll on Some quick thoughts
90. I’m good with LL, really good. Like Run-DMC, I’ll put him on every now and again
89. Das EFX – dug it, will check more. Of course, my dad hails from Teaneck & yours truly was born there, so have to give it a shot just for that.
88. I remember when this album won a ton of awards and I’d never heard a note. And until this, still hadn’t (at this point, I throw myself on the mercy of the court). This one goes on the pile just simply because.
87. Loved the beat on this one. Want more.
86. Hmmm, this one not so much
85. He’s got something, but not sure enough that I want to check more out
84. This one had me grooving
83. I never liked “Insane in the Brain” all that much. This track reminded me of that one.
82 . So you can probably tell by now, I’m not a fan of the harder, west coast sound, but Ice T I like
81. Will be checking more of this out.
Big Money says:
Nov 13, 2012
Haha. I’m up for the challenge, man. You know what? I’ll change my statement to read like this: “Hip-Hop is Dead” may have meant more to me at 31/32 than “Illmatic” did when I was 17. Apples and oranges, I guess.
Big Money says:
Nov 13, 2012
Man, I don’t even know if I *remember* the first rap album I owned.
Big Money says:
Nov 13, 2012
I’d say the two Ice-T albums are fairly close to even. I might even give “Freedom of Speech” a very, very slight edge. There’s some slammin’ stuff on that album.
Big Money says:
Nov 13, 2012
Dennis, “The Miseducation of Lauryn Hill” should absolutely be in your record collection. It should be in EVERYONE’s record collection, no matter what music they like.
I think I’m starting to get an idea of the stuff you dig vs. the stuff you don’t dig. I think you’ll like Camp Lo quite a bit.
Duan says:
Nov 14, 2012
I wager that Hiphop is Dead may be the most controversial pick on the whole list. A lot of people do not love that album. I get on fine with it though. It’s more of a pop/rap record, and when you accept it as that, it’s a good listen. I think a lot just didn’t want to hear that from Nas, which is why it got a bit of a backlash in certain circles.
I got a laugh out of Mike’s line about it being the hip-hop version of Clint Eastwood screaming at kids. Great description.
Big Money says:
Nov 14, 2012
I don’t think it’s pop/rap at all. It’s grown folks hip-hop. I mean, how pop can an album that didn’t even spin off a top 40 single be?
GG says:
Nov 14, 2012
I get that very much about Hip Hop Is Dead. It’s a grown man’s record. It’s speaking to your audience as they grow older with you.
I also felt a bit of “bringing people together to do better” in that too. I think the reception was so misguided, especially by the rappers who didn’t listen and thought he was singling them out. In fact, those who reacted that way were the ones doing it wrong anyway.
Big Money says:
Nov 14, 2012
Truth!
Paul says:
Nov 14, 2012
HHID is a good album. But I’m not even sure it’s in the top 3 of Nas albums, personally… :0
Big Money says:
Nov 14, 2012
You also like “Stillmatic,” if I remember correctly (which I’m pretty ambivalent about) yes?
Paul says:
Nov 14, 2012
Yeah. Love Stillmatic. But you know what, I’ve relistened to most of the Nas catalogue over the past couple of months, and I realised The Lost Tapes (ok it’s not technically a studio album) is arguably my favourite since Illmatic!! It’s staggeringly consistent.
HHID is sick though. Just a few off-sounding beats stop it from greatness in my eyes.
Big Money says:
Nov 14, 2012
“Lost Tapes” is dope. It’s been a really long time since I’ve listened to it straight through, but whenever a song from it comes up in my iTunes shuffle, I’m jammin’.
Duan says:
Nov 14, 2012
My interpretation of what constitutes a pop record is probably more severe that most.That being said, I do think that album, with the exception of about 2 tracks, was designed to be as digestible as possible. Production and track layout are both fairly pop friendly.
The fact that it didn’t have any major singles doesn’t change that in my opinion. Nas has chased commercial success for most of his career, and the majority of the time, his releases have well underperformed.
I felt the Stillmatic/God Son run was one of the stronger periods of his career – although Stillmatic holds up much better than GS in retrospect. The Lost Tapes is a very strong collection of songs to. I would agree with Paul in that it might be his best non Illmatic material.
Big Money says:
Nov 14, 2012
“Stillmatic” doesn’t do much for me, and that probably has a lot to do with “Ether,” which to this day, I just find a ridiculously hateful song. I liked “God’s Son” much better.
The Real Kyle says:
Nov 14, 2012
I’ll weigh in officially and say that I also think “Hip Hop Is Dead” is Nas’ best album (and that “Let There Be Light” is his best song, but maybe that’s a story for another day?)
Big Money says:
Nov 14, 2012
“Let There Be Light” is a good one. I think the entirety of HHID is great. Cut the first track or two out and it’s a 5 star album.
Gonzo says:
Nov 14, 2012
This list underscores the fact that hip hop has been largely ignored as far as reissues are concerned. And most of those CDs need it so badly. What the hell, industry?
Big Money says:
Nov 14, 2012
Hell, a bunch of these albums aren’t even in print. I do kind of understand that sample clearance costs make reissues on some of these albums quite expensive, but I think they’d be worth it.
Gonzo says:
Nov 14, 2012
Oh shit, good point. I mean, you could never make Paul’s Boutique legally today. But if they were cleared initially, isn’t that a one shot deal? Then again, most of the mid-late ’80s stuff probably wasn’t cleared. (as evidenced by the litany of court cases re: De La, Biz, 2 Live Crew…)
John says:
Nov 14, 2012
I’m having a hard time with this list, because depending on my state of mind and what’s going on in my life, different albums resonate at different times. Have to say I’m glad to see Camp Lo up on this list, and I agree with the comments about Ms Lauryn Hill leaning more R&B than rap.
Big Money says:
Nov 15, 2012
Not sure. That said, “Paul’s Boutique” DID get remastered and reissued. So…
Duan says:
Nov 15, 2012
Yeah, I think you guys are right. A lot of the stuff from way back when was released without clearance. Today, you would probably have to give up 100% of the earnings to get it on the shelf. I’m not sure what the line is though on re-releases.
Gonzo says:
Nov 15, 2012
That’s the thing – I vaguely remember there being a question as to whether they were going to be able to reissue it or not (thank god it was). I’ll have to go back and dig.