Posts tagged "Support Good Music in 2011"

Support Good Music in 2011: Chapter 6 (Life On Planet 9)

I need to preface this with a statement: I am biased when it comes to vocalist Pete Murray and any of the projects he is involved in. On my top vocalists of all time list, he’s in the Top 5. Easily. His work in Ultraspank, Lo-Pro, and now Life on Planet 9 are astounding and, unfortunately, largely overlooked by the mainstream. To think that someone capable of such aggression on Ultraspank classics like “Burnt” and “Jackass” could transition and pull off moments of beauty […]

Support Good Music Chapter 5: Tom Vek

The news that Tom Vek ‘s first new album in over 5 years is finally coming out gave me a chance to listen to and reflect upon his brilliant debut We Have Sound over and over and over again. Who is Tom Vek , you ask? I’ve read somewhere that he’s a “post-punk revivalist”. I think it’s just good music. His debut We Have Sound is still relevant today. It’s quirky-electro in the vein of Beck, Cake, and Soul Coughing. Sort of. He’s the […]

Hank & Cupcakes Return To Boston!

Ask anyone over at the Blerd, we love the soul. We love the old soul, we love the new soul. Hank & Cupcakes has both with some future soul thrown in. Brooklyn-based (By way of Melbourne, Tel Aviv, Cuba, and Jerusalem), H & C are a male/female duo unlike anyone out there today (I’m looking’ at you White Stripes and Ting Ting’s!). Hank plays the bass. Cupcakes sings and plays drums…just like Phil Collins…but she stands up…and she’s way prettier…and her name is […]

Support Good Music in 2011: Chapter 4 (Ulterior)

Wild in Wildlife is how you do a debut. If Hollywood ever gets so stupid that they have to remake The Hunger then I will be the first person to campaign for Ulterior to do the entire score. A UK-based rawk band, Ulterior’s first full-length just came out a few months ago but is easily one of the best albums this year. “Sex War Sex Cars Sex” is that song playing during the club scene in that ’80’s movie where the hero/heroine […]

Metal Monday Volume 17 (5.9.11)

Anomie is an album that has somehow managed to encapsulate all that Tim Skold is up to this point (Shotgun Messiah, KMFDM, Marilyn Manson, etc) yet go above and beyond into the future with guns blazin’. Teased for almost 2 years now and 15 years since his debut, Anomie is a brilliant return for Tim Skold . Starting with “(This Is My) Elephant”, Anomie gives off a vibe more in the vein of Alice Cooper’s “I’m Eighteen” then say, “Chaos”, the lead song off […]

Moving Mountains Will Move You.

If you thought the last few Thrice albums lacked that certain somethin’ somethin’ or you yearn for the days when The Receiving End of Sirens still put out music then Moving Mountains latest album, Waves, is for you. Their first for Triple Crown, Waves is a triumph through and through. Waves is such a departure for Moving Mountains , yet not. If you listen to Pneuma and this back-to-back it’s like two different bands. This isn’t a bad thing (And Pneuma did come out […]

Dan The Automator and Dredg Make Beautiful Music Together

Dredg has lost me over the past few albums. I’ve been a fan since Leitmotif and El Cielo but when they released Catch Without Arms, it seemed like they had lost a little of that magic that made me appreciate them in the first place. While El Cielo was their first major label release, they didn’t really begin a shift in sound until Catch Without Arms. To their credit, the demos that came out before Catch sounded amazing (It’s called Coquette, […]

Support Good Music in 2011: Chapter 3 (Middle Class Rut)

I’m gonna change the title of this column to “Buy this damn album already because I told you to, ok?”. Catchy, right? Seriously, Middle Class Rut’s No Name No Color is a great album. Take the hypothetical baby from Tom Delonge and Perry Farrell and Cedric Bixler (Three Men and a Baby anyone???), have him front a band that sounds like Death From Above 1979, At The Drive-In, and Queens of the Stone Age with some Tome Morello thrown in for good measure […]

Support Good Music in 2011: Chapter 2 (UNKLE)

UNKLE has been one of my favorite “bands” for over 10 years now. The last of the dying breed of trip-hop (They wouldn’t be if Massive Attack and Portishead would put out an album once in a while), mastermind James Lavelle always manages to take a diverse line-up of artists and make compelling  and cohesive albums. UNKLE released their debut, Psyence Fiction, in 1998 and became famous for being the latest project from DJ Shadow. It featured guests as varied as Mike D […]