Almost universally maligned as a once-relevant band’s career-twilight last-ditch stab at relevancy, the all-covers album more often than not allows a bereft-of-inspiration artist to court a last gasp of sweet, sweet mainstream success by promising songs the listener already knows and loves, and not those pesky tepid originals that said artist has been peddling for the past twenty years or so to increasingly-diminishing returns. And all under the guise of “paying tribute to our idols, man”. Seems like, to court […]