Posts tagged "indie music"
Frank Turner, Tape Deck Heart: Album Review

Frank Turner, Tape Deck Heart: Album Review

If English singer-songwriter Frank Turner’s heart is a tape deck, it’s a severely used one; it warps the tape in your favorite cassette, and everything sounds scratchy and worn, cloaked in a layer of tell-tale hiss. It doesn’t matter, though, because it’s got one of your favorite songs lurking deep within its recesses, and if Guided By Voices have taught us anything, it’s that a great song is a great song, period. Frank Turner’s new album, on the other hand, […]

Declan's Well, Campaign Capsized: Album Review

Declan’s Well, Campaign Capsized: Album Review

An electronic musician from New Jersey makes catchy pop about heartbreak and suburbia. What’s not to like?

Spin Cycle: M. Ward's "A Wasteland Companion"

Spin Cycle: M. Ward’s “A Wasteland Companion”

Indie folkie and one half of She & Him M. Ward is back with “A Wasteland Companion”, his first solo record since 2009’s “Hold Time”. It’s a winner.

Spin Cycle: The Shins' "Port of Morrow"

Spin Cycle: The Shins’ “Port of Morrow”

James Mercer and an (all new) band of Shins are back after a five-year absence. How much does a new lineup alter the landscape of The Shins’ intricate pop? Read the review and find out.

Spin Cycle: Guided By Voices’ “Let’s Go Eat the Factory”

There’s a tried-and-true indie rock algorithm that states that former schoolteacher and Guided By Voices mastermind Robert Pollard + anything = a song. Like Billy Corgan and Ryan Adams after him, the man’s songwriting muse is so restless that one imagines they must spend their days holed up in a smoky bedroom with the shades drawn, eagerly committing every phrase they’ve ever learned to a series of spiral-bound notebooks in an effort to mold the entire English language into a […]

Spin Cycle: Feist’s “Metals”

Reading through advance notices pertaining to Feist’s third album, Metals, a newcomer would be forgiven for believing the fiction concocted therein. Early reviews paint the story as follows: aggressively Canadian singer-songwriter releases debut record, turns heads, and promptly sells out big-time, releasing a big, glamorous, iPod-shilling second record full of pop hooks and lyrics about rainbows and butterflies. Which brings us to Metals, Feist’s much-vaunted return to form after her positively Gaga-esque The Reminder. Of course, that’s not the case. […]

Blerditorial: Why We Like What We Like (Part Two)

Popblerd! correspondent Sam asks a very simple question in the first part of a two-part feature article. Why do we like the music that we like?